It was five o’clock on a winter’s morning in Syria. Alongside the platform at Aleppo stood the train grandly designated in railway guides as the Taurus Express. It consisted of a kitchen and dining-car, a sleeping-car and two local coaches.

By the step leading up into the sleeping-car stood a young French lieutenant, resplendent in uniform conversing, with a small man muffled up to the ears of whom nothing was visible but a pink-tipped nose and the two points of an upward-curled moustache…

I believe that a well-known anecdote exists to the effect that a young writer, determined to make the commencement of his story forcible and original enough to catch and rivet the attention of the most blase of editors, penned the following sentence: '"Hell!" said the Duchess.'

Strangely enough, this tale of mine opens in much the same fashion. Only the lady who gave utterance to the exclamation was not a duchess…

The events chronicled in this narrative took place some four years ago. Circumstances have rendered it necessary, in my opinion, that a straightforward account of them should be given to the public. There have been the wildest and most ridiculous rumours suggesting that important evidence was suppressed and other nonsense of that kind. Those misconstructions have appeared more especially in the American Press.

For obvious reasons it was desirable that the account should not come from the pen of one of the expedition staff, who might reasonably be supposed to be prejudiced…

The memory of the public is short. Already the intense interest and excitement aroused by the murder of George Alfred St Vincent Marsh, fourth Baron Edgware, is a thing past and forgotten. Newer sensations have taken its place.

My friend, Hercule Poirot, was never openly mentioned in connection with the case. This, I may say, was entirely in accordance with his own wishes. He did not choose to appear in it. The credit went elsewhere – and that is how he wished it to be. Moreover, from Poirot’s own peculiar private point of view, the case was one of his failures. He always swears that it was the chance remark of a stranger in the street that put him on the right track…

Hercule Poirot Frowned. "Miss Lemon," he said. "Yes, Mr. Poirot?" "There are three mistakes in this letter." His voice held incredulity. For Miss Lemon, that hideous and efficient woman, never made mistakes. She was never ill, never tired, never upset, never inaccurate. For all practical purposes, that is to say, she was not a woman at all. She was a machine-the perfect secretary. She knew everything, she coped with everything. She ran Hercule Poirot's life for him, so that it, too, functioned like a machine. Order and method had been Hercule Poirot's watchwords from many years ago. With George, his perfect manservant, and Miss Lemon, his perfect secretary, order and method ruled supreme in his life. Now that crumpers were baked square as well as round, he had nothing about which to complain…

Stephen pulled up the collar of his coat as he walked briskly along the platform. Overhead a dim fog clouded the station. Large engines hissed superbly, throwing off clouds of steam into the cold raw air. Everything was dirty and smoke-grimed.

Stephen thought with revulsion: ‘What a foul country – what a foul city!’ His first excited reaction to London, its shops, its restaurants, its well-dressed, attractive women, had faded. He saw it now as a glittering rhinestone set in a dingy setting…

Mrs.Ariadne Oliver had gone with the friend with whom she was staying, Judith Butler, to help with the preparations for a children's party which was to take place that same evening.

At the moment it was a scene of chaotic activity. Energetic women came in and out of doors moving chairs, small tables, flower vases, and carrying large quantities of yellow pumpkins which they disposed strategically in selected spots.

It was to be a Hallowe'en party for invited guests of an age group between ten and seventeen years old…

Hercule Poirot looked with interest and appreciation at the young woman who was being ushered into the room. There had been nothing distinctive in the letter she had written. It had been a mere request for an appointment, with no hint of what lay behind that request. It had been brief and business-like. Only the firmness of the handwriting had indicated that Carla Lemarchant was a young woman.

And now here she was in the flesh-a tall, slender young woman in the early twenties. The kind of young woman that one definitely looked at twice. Her clothes were good, an expensive well-cut coat and skirt and luxurious furs…

When Captain Roger Angmering built himself a house in the year 1782 on the island off Leathercombe Bay, it was thought the height of eccentricity on his part. A man of good family such as he was should have had a decorous mansion set in wide meadows with, perhaps, a running stream and good pasture.

But Captain Roger Angmering had only one great love, the sea. So he built his house-a sturdy house too, as it needed to be, on the little windswept gull-haunted promontory-cut off from land at each high tide…

Mrs. Oliver looked at herself in the glass. She gave a brief, sideways look towards the clock on the mantelpiece, which she had some idea was twenty minutes slow. Then she resumed her study of her coiffure. The trouble with Mrs.

Oliver was-and she admitted it freely-that her styles of hairdressing were always being changed. She had tried almost everything in turn. A severe pompadour at one time, then a wind-swept style where you brushed back your locks to display an intellectual brow, at least she hoped the brow was intellectual. She had tried tightly arranged curls, she had tried a kind of artistic disarray. She had to admit that it did not matter very much today what her type of hairdressing was, because today she was going to do what she very seldom did-wear a hat…